No information about when filming will take place or a release date, but this seems to be a real thing. Shall we celebrate with a sea chantey? (The Editrix was into sea chanteys before they were cool.)
When we first reported the development of this film in 2018, it engendered a bit of discussion about a perplexing problem with modern adaptations of Persuasion: why would a 21st-century woman feel obligated to give up on a relationship as Anne Elliot did in the novel, as a modern woman has more choices than a woman of the early 19th-century gentry? Could an adaptation of the novel succeed when the rather large stakes of marriage and relationships are removed in our more relaxed culture?
Once again, the calendar turns to the end of the year and we gather to celebrate the anniversary of Jane Austen’s birth. Here in Anno Domini Two Thousand and Twenty, well, it’s a little different from usual. To say the least, this year has been deeply weird, and not just because of the pandemic.
Gentle Readers! Remember the tidbit about a modern-set adaptation of Persuasion (creatively called Modern Persuasion) starring Alicia Witt being in pre-production? The idea of it engendered a bit of interesting discussion online, mainly around the question of whether the central theme of Persuasion–that is, giving up love for duty–could be satisfactorily rendered for 21st century audiences. Well, whether we think it can be or not, someone’s tried it. The film actually was, er, filmed, and will be released on digital next month! It’s got a trailer and everything!
Of course we’ll watch it, though to be honest it strikes us as maybe a trifle above the vaguely Austen-themed Hallmark Christmas movies that Deborah Yaffe mocks so amusingly, but we will withhold judgment till we see it. December is the time of year that we crave fluff and feel-good, and maybe even middling JAFF (along with new episodes of The Crown and The Mandalorian) will tide us over till spring training starts.
Manipulative, callous and cruel – the beautiful widow Lady Susan Vernon is on a manhunt. To restore her broken fortunes the greatest coquette in England sets out to snare a rich husband. She will stop at nothing to achieve this goal including forcing her own daughter Frederica into an unwanted marriage. Will Lady Susan’s weakness for pleasure derail her own notorious intrigues? Literature’s greatest villainess is about to take center stage. This hilarious adaptation illuminates Austen’s earliest novella while paying homage to Georgian theatrical traditions.
Long-time AustenBlog readers will remember Lynn Marie as the author of our very favorite stage adaptation of Northanger Abbey. Check it out–it should be a good time!
We say it is “in development” because it appears the script, reportedly by Jessica Swale, is not yet completed. However, we have our Anne Elliot: Australian actress Sarah Snook, best known for playing Shiv Roy in Succession (which we haven’t seen, but hear good things).
The film will be directed by Mahalia Belo and produced by Alison Owen and Debra Hayward for Monumental Pictures (also known for, gulp, Harlots and, um, Cats. *cringe*).
This project seems to be relatively far along but we won’t get excited until we see the first grainy paparazzi shots from the set or costumed publicity stills. Until then, let’s not talk about it like it’s a done thing. We can look forward with interest to a big-screen adaptation of many Janeites’ favorite Austen novel, certainly, but keep it under control! Dorothy is serving tea in the conservatory for those who need it.
As we were very much looking forward to going to Cleveland in October for the JASNA Annual General Meeting, we were sad when it was canceled*, though we agree with the decision and feel it was the responsible thing to do. However, we (by which I mean all JASNA members, not using the royal we in this case) will still be able to enjoy an AGM this year, virtually!
We were so pleased to be asked to participate in the blog tour for Natalie Jenner’s debut novel, The Jane Austen Society. We were intrigued by the story description back when the book was first announced and have been excited to read it ever since. We were even more excited to be offered the opportunity to review the audiobook, read by Richard Armitage. We love audiobooks and have listened to several read by Mr. Armitage in the past, and they were all wonderful performances, which made the offer difficult to turn down. However, we weren’t sure if we would be able to participate at first, as we have been working extremely long days at le travail de jour during the current Interesting Times (safely home at AustenBlog HQ, thankfully, and we fully recognize our privilege). We usually listen to audiobooks during our daily train commute, which of course is not happening right now, so we weren’t sure if we would have the time; but then realized we could listen to the audiobook on our daily ten turns in the shrubbery around the parking lot, and signed on. We have broken the review into two parts: the story itself, and the audiobook performance.
Gentle Readers, here is another treat for us while we are confined to our homes. We may even be able to lure Dorothy away from her garret for this one.
Streaming Musicals will present a free streaming event of Paul Gordon’s musical adaptation of Pride and Prejudice on Friday, April 10, 2020 at 6:30 p.m. Eastern time, with a rebroadcast at 10 p.m. ET. From the website:
Sparks fly when spirited Elizabeth Bennet (Mary Mattison) meets single, rich, and proud Mr. Darcy (Justin Mortelliti). But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Pride & Prejudice, based on the classic novel by Jane Austen, is a new musical adaptation by Tony Award nominee Paul Gordon (Broadway’s Jane Eyre). The show was filmed at the Tony Award-winning TheatreWorks Silicon Valley in Palo Alto, CA., where it played its world premiere from December 4, 2019 to January 4, 2020 and established an all-time box office record. The production was directed by TheatreWorks’ Founding Artistic Director Robert Kelley and choreographed by Dottie Lester-White.
After the free premiere, one can still stream the play, though there will be a rental or purchase fee similar to that of movies ($4.99 to rent, $19.99 to purchase).
You needn’t fear that the actors are in danger from one another: the play was recorded last year. Gordon’s musical adaptation of Emma is also available to stream, though one must pay for that one.
It is unclear if these will be available to view outside the U.S.